I Work With:Saint Jospeh



San Giuseppe, the patron of carpenters, the
unemployed and people providing for their families has a long history with folk magic. As related in a previous entry, the benevolent saint entered my orbit during a time of unemployment.  Since then, he has become my patron saint.

Saint Joseph is petitioned for a variety of needs and reasons in magico-religious traditions. As Saint Jospeh the Worker he helps the unemployed secure employment and the employed stay at work. As a builder of homes and provider he is traditionally invoked to sell houses. Traditionally, his statue is buried in the yard or, in apartments or buildings where a lawn is lacking, a flowerpot. He is also invoked for a peaceful death, as he was surrounded by Jesus and Mary at his end.

Renowned for his compassion, Saint Joseph may ask you to exercise charity in your own life. He is often depicted with lilies, the death flower and yellow or purple robes. Yellow is the color of his novena candles and purple relates to his place in Heaven. With his special place in God's court, he can relate our petitions to the highest levels. For this reason (and to demonstrate his familiar compassion) he is shown carrying the infant Jesus. His special day is Sunday. Remember as you are praying or working with Saint Jospeh, that you are forming a relationship with this generous, gifted man, a humble but energetic saint.

Santa Morte: Holy Death in Eurpoe

 

Growing up in an Italian-American family I saw a lot of death. Most of my aunts and uncles were geriatric so there was a funeral every six months. They died of cancer, of pneumonia, of calculated risks. When that happened everyone came. We had relatives in distance states who would fly in for the occasion. I remember the funeral home most of all, an old Italian place in a rusty part of town. Everything about it depressed me, the carpet, the lights, the eternally overcast sky. Nothing ever changed at Rossi's.

I preferred the churches and cemeteries, high ceilings and open sky, a promise of lunch afterwords. Catholic churches rarely depressed me, not even the older ones with their darker windows and stony floors. Recently I stumbled across some Italian churches built specifically for the dead. Santa Maria dell'Orazione e Morte is probably the most famous, carved with skull motifs and winged time pieces. Similar shrines appear elsewhere in Italy, built to house friars and corpses of the abandoned or unknown. We could say death was familiar to the people who visited and built these churches. They were used to it, considering the shear number of plague victims throughout Europe.

Consider the following images from Santa Maria Della Concezione where an order of 4,000 dead monks line the walls. Now look a little closer at the photo to the right, depicting a tall skeleton with scythe and scales. Does any of this seem familiar? Could it be an ancestress, a forerunner of Mexico's death saint Santisima Muerte, the arcane spectre we know from botanica windows and head shops?  Shortly after researching this, I began spotting references to Italian death sprites like Dea Mors and the Greek Fate Atropos.  In most stories they were linked to Europe's dark Carnivals and a more obsucre figure from European legend called Santa Morte, or Saint Death. 

　

Most of what we know about Holy Death (Santisima Muerte) comes from Brujeria (Mexican Witchcraft) and Curanderismo. She is a product of syncreticism, believed to be linked to the Aztec spirit Mictecacihuatl. According to tradition, she is the archangel of death. Like the Madonna, she arrives in a variety of forms, each petitioned for different needs. La Blanca (White) has the power to heal and existed before Genesis.  La Roja (Red) is called upon for romantic endeavors, being the form she took when Adam and Eve made love in the Garden. She is also petioned for financial needs. La Negra (Black) is the form she took once Cain killed Abel.  She is petitioned for defense, murder and protection.

More recently, I became the student of a woman raised in an Italian folkloric tradition.  She agreed to teach me her family's blend of Stregheria.  One summer afternoon she mentioned "The Lady of Silence."  As it turns out, this Lady is one and the same with Santa Morte.  My teacher even referred to her as the Angel of Death.  While she isn't featured in every form of Stregheria, we do refer to her in our own, where she sits on my altar as The Lady of Silence.  What can  I tell you about this folk saint as she's petioned by Italian witches?  Very little.  Due to traditional Stregheria's renown security, we take special measures to preserve any symbolism and structure from traditions who might adapt them and misrepresent the stories or rituals in translation.  I can tell you that The Lady entertains her own fresh symbolism and a place in our credo. 

Concerning her influence over Santisima Muerte and Latin America, consider Spain's invasion of Mexico. Could it be possible that The Lady of Silence, a relic of Europe's Carnivals, influenced Brujeria and our modern understanding of Santisima Muerte? I think it's very likely, and find myself viewing her--and my family's customs--in a fuller, brighter light. Furthermore, if anyone works with this saint or has any additional texts, I'd love to hear from you. Please contact me or leave a note below.

Madonna del Granato

(Originally published February 20, 2012)

Recently I began searching for a Madonna to place on my ancestor altar. I had a few interesting leads but the form that spoke to me was one "Madonna del Granato," the Madonna with the pomegranate. As a fan of syncreticism, I found special value in this apparition, a Mary tied to my patron Hera.
As a child I grew very attached to Hera.  She was a very resourceful female, unwilling to turn a blind eye when someone harmed her. As a teenager, I found this protection extended to her children.

Mary, like Hera and Juno, has been called the Queen of Heaven. She is synchronized with many ancient spirits including the huntress Diana. Her various apparitions appeared in many countries throughout the world and in Capaccio, Italy there is a church near Hera's Argonaut-built temple where she is called the Madonna del Granato. In ancient times Hera was depicted with her favorite fruit, the pomegranate, a symbol of fertility and promise. Predictably, when the pagans of present day Capaccio and Paestrum converted to Christianity, they applied the red fruit to Mary and the Madonna del Granato was born.

As a strega, this Madonna is particularly interesting to me. She represents a link to my ancestors and the powers of nature ruled by Hera. I've only begun to work with this spirit and I hope to share more with you later. Please leave comments or private e-mails if this topic appeals to yo

Ascended Masters: Fata Morgana

On the surface, Arthurian Legend has little to do with Italian witchcraft.  Geography aside, there is enough contrast in literature and tradition.  But what if we're discussing the King's half sister, Morgan le Fay?

     Morgan's spirit seems to be concerned with borders, oceans and transition.  For this reason, I refer to her as a spirit of transcendence.  When the Normans arrived in Italy during the 11th century, they applied her name to a famous illusion off the Straits of Messina.  These straits, it should be known, separate Sicily from mainland Italy.  In The Odyssey, the epic poem by Homer, the straits are home to Scylla and Charybdis, two notorious monsters bested by Odysseus.  It is here, according to Italian folklore, that Fata Morgana keeps a home.

     As an ambiguous sorceress, Morgan was established by writers like Geoffrey of Monmouth and Sir Thomas Mallory.  According to tradition, she plotted against Arthur and stole the famous sword Excalibur.  She is also a healer, credited with curing her wounded brother and presiding over a sisterhood on the isle of Avalon.  Morgan's acts vary depending on who's (re)telling the story.

    Further back in Celtic lore we have Modron, a Welsh spirit who shares many of Morgan's kinder roles and the names of her children.  Like Jesus, Morgan is a synchretic mystic who made herself divine through associations with older spirits.  The Irish Morrigan (a warrior who can take on the form of a crow), Greece's Earth Mother Gaea and the Welsh sorceress Cerridwen have also been linked to Morgan le Fay.

     Call upon Morgan to help you attune with glamoury, enchantment, and the Great Work.  She can also teach you to appreciate synchronicity (according to Malory, she learned magic as a nun) and change.  Morgan makes an excellent mentor.  Her energy is easy to recognize.  She's likely to appear to you in many forms.